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August 30, 2009
Dante Blogging - Inferno Canto X
Canto X
Canto IX was a Canto of waiting - Canto X gives Dante more to think about than he likes. He see great figures from both sides of the Florentine political schism damned in the tomb of the Epicureans - and this leads him to some thinking about poets. Dante is, perhaps, always about poets and poetry.
Remember the photo of les Alyscamps from my contact Nick? Look at this Gustave Doré version (the resolution is too poor to bother taking it from Wikipedia and reloading it here). Dore has a great picture, but he has the historical phenomenon wrong. Oh, well - what can you do with the Romantics? Still, the Modern Library Esolen translation is printing them, so they're going to come up.
As Dante says, "The lids have all been raised" (10.8), but you can see that in Nick's picture as well. Indeed, Roman sarcophagi seldom have their original lids; they were usually taken and recycled into later buildings or art works. In fact, lots of the Alyscamps might have ended up in the facade of St. Gilles du Gard and the cathedral of St Trophime in Arles - Romanesque carvers were never ones to overlook a good supply of pre-quarried marble. And Arles had nothing particularly good local. We call that Green Architecture nowadays.
Of course, the Epicureans in the red-hot tomb wouldn't have objected in life, because then they believed that death meant the extinction of the soul. Now that they have found out otherwise they might appreciate more permanent monuments on Earth.
Dante first talks with Farinata degli Uberti, an unpleasant Ghibelline; he thinks Dante a bounder, which he probably was. Then Dante talks to another resident of the tomb, Cavalcante de Cavalcanti, a Guelph and father of one of Dante's poet friends. Cavalcante is worried about his son, who died only months after the action is set. Indeed, the foresight of the dead is confusing - though Dante tries to clear it up. How did Ciacco prophesy? How is it that Cavalcante doesn't know about his son?
Farinata rather graciously explains that the closer the event the less clear it is.
"As a man with bad vision," he replied
"we dimly see things far away. So much
splendor the sovereign Lord still shines on us.
When things draw near, or happen, emptiness
is all we see. If no one brings us news,
we can know nothing of your human state. (10.100-105)
I'll have to think about the optics of that. What are the implications for vision if the splendor (splende) is descending from God?
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Posted by CrankyProfessor at August 30, 2009 5:59 PM