Dominique de Menil’s last project has got to be one of the stranger stories in the world of museums, and it’s taking another turn now.
In the 1980s thieves chopped the dome and apse frescoes out of a tiny 13th century Byzantine chapel in the Turkish controlled part of Cyprus. When they showed up for sale Dominique de Menil bought them, fully knowing and acknowledging that they were stolen. She did it to save them. She poured a lot of money into restoration and then had her son build a very sophisticated little building to house them (be sure to look at the pictures of the setting in the various links).
I never realized that their agreement with the archbishopric of Cyprus had a term, but evidently that term expires in February and the Cypriots want them back. But they can’t put them back in their original chapel yet — and that’s when the nationalism-and-art angle gets uncomfortable. Read this statement in the Houston Chronicle article about the agreement to return the frescoes:
“(The frescoes) are living monuments and symbols of our faith,” Costas Katsaros, head of the archbishopric’s legal department, said in an email. “Those treasures of our religion and cultural heritage are of invaluable merit for Cypriot people, who were long waiting for their return in their homeland.”
Katsaros said the church will work with the Cypriot Department of Antiquities to place the frescoes “in a proper environment in the free part of Cyprus” with the goal of eventually returning them to the original chapel “in their holy sacred land on the day of its liberation.”
You know, I’m sure the Cypriot people have bigger and more interesting symbols of their faith, but they’ll get this one back. Where they will house it is unclear.
