Canto XII
A few quick notes about thoughts Canto XII threw up -
Dante and Virgil have to climb down a rock-slide to get to the next ring. I wonder where Dante got the idea that the Harrowing of Hell – Christ’s Descent into Hell Virgil described in Limbo was so violently ruinous to the physical structure of Hell? Is it an ancient topos, or something new to Dante? I really should ask my acquaintance Georgia Frank over at Colgate, who has studied early descent into Hell and purgatory. Maybe we can get her to come do a guest turn in the spring of ’11 when we teach this!
Remember that fraud is something that beasts can’t do? The Minotaur, of course, is the offspring of a fraudulent cow – Daedalus made a cow for Pasiphaë to crawl into so she could be impregnated by Poseidon’s bull (oh, those Greeks!). The Minotaur, though, is guarding the violent, along with the centaurs. Hmm.
About the Centaurs, who are racing around the river of fire, shooting arrows at any violent man (mainly famous rulers) who rises too far out of the stream, again, half-beasts to guard the bestially violent – specifically those who were violent against others. Also on my coffee table is Machiavelli’s The Prince, which will come up in November in European Studies 101, and Machiavelli makes a rather different use of centaurs in his chapter 18 – “In What Mode Faith Should be Kept by Princes.”
Thus, you must know that there are two kinds of combat: one with laws, the other with force. The first is proper to man, the second to beasts; but because the first is often not enough, one must have recourse to the second. Therefore it is necessary for a prince to know well how to use the beast and the man. This role was taught covertly to princes by ancient writers, who wrote that Achilles, and many other ancient princes, were given to Chiron the centaur to be raised, so that he would look after them with his discipline. To have as teacher a half-beast, half-man means nothing other than that a prince needs to know how to use both natures; and the one without the other is not lasting. (The Prince, Mansfield translation, p 69)
Machiavelli and Dante both link the centaurs with rulers, one for training and one for punishment. Hm. Since one of the ways I amuse myself when I read Machiavelli is thinking of him as writing a manual for getting Lorenzo de Medici to Hell even faster than the average member of that family, noticing this helps.
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