OK – earlier this evening I thought I broke the internet. It took about 10 restarts of the the modem and the router to get it back. In the meantime I actually went back to cable tv – and found the show of my dreams! Tattoo Nightmares on Spike…trying to cover or reconfigure really really really horrid tattoos.
Guy with a marijuana leaf on his wrist. Woman with a weird abstract city on her pelvic girdle ["it's made me embarrassed to show my stomach and there aren't any cute one piece swim suits out there!"]. Man with an ex GF’s name AND FACE on his shoulder.
Of course, laser removal is still an option!
Good art, bad man. Caracalla was a mess! The high point was killing his own brother in their mother’s presence!
I posted a marble version on Flickr, too, click and see!
I saw this bike rack as a design competition winner back in 2010 at the Cooper-Hewitt — here it is now in the wild on 8th Avenue!
I can’t believe it’s already midterm! I’m off to NYC for a couple of nights – the (still relatively new) Islamic galleries at the Met are calling!
I’m giving my Art 101 class an exam today. I’m sure they think I look something like this, monstrous!
Bronze ornament from one of Caligula’s pleasure barges on Lake Nemi, Museo Nazionale Romano: Palazzo Massimo alle Terme.
The National Museum of Bosnia in Sarajevo, home to the Sarajevo Haggadah, is set to close.
The Sarajevo Haggadah
is an important 14th Century manuscript of the Seder service produced in Spain (testimony to the Sefardic tradition), brought to Italy sometime in the Renaissance. It was sold to the National Museum in the 1890s – so though it is an important object documenting Jewish history, it doesn’t have much to do with Bosnia. I hadn’t read the provenance until just now – I, silly early medievalist, had always imagined it got to Bosnia (an example of the Spain-to-Islamic-Ottoman-Empire) in the wake of the expulsion of the Jews from Spain rather than an example of the Spain-to-just-as-Christian-Italy population movement. I’ve never read enough to know what the relative sizes of emigration to the Ottoman Empire versus other Christian territories.
That’s the headline. The story is better! She was going to paint over them!
“I thought they would be awesome canvases. They were $9.99 a piece and I just thought they would be great to just draw on them and paint over them because I didn’t like them as paintings. They were really ‘70s kind of looking, but not ‘70s in that fun, kitschy way, ‘70s in a different way that I don’t really enjoy, so I was like, ‘I’m going to paint big cat heads or whatever,’” Feeback,who specializes in pet portraits, said. “I was going to paint on them and so I bought them.”
She showed them to a friend at the art fair, and her friend spotted labels on the backs of the canvases that read: “Weatherspoon Art Gallery. University of North Carolina – Greensboro.” Her friend told her to find out more about the paintings before she painted them over.
Feeback took the canvases home and they languished in her art studio until mid-June. She nearly painted over them a few times.
“But I decided, you know, I’ll check, I’ll Google these guys. The first one I Google was Bolotowsky. And I Google it and the first thing I saw was the Wikipedia page and I was like, ‘Holy crap. I better get those up off the floor over there,’” she recalled. “And then it just went crazy. When I saw what it was I thought, ‘This painting has got to be worth something, but what do I do now? I don’t know anything about selling a valuable painting.’ We made $200 at the art show that day.”
You know, someone de-accessioned those!
That seems to be a better headline than most. They had it all along, but they don’t seem to have known what it was. I hope it brings in some money for them! Their insurance company wants too much for them to keep it.
But your honor, I had a delusion that I was an art thief. Yes, in fact, I took the paintings, but, but . . . .
And the judge bought it.
Michael Gerard Sullivan, 54, has pleaded guilty to stealing two paintings from the Katoomba Fine Art Gallery in December 2008.
At the time the gallery was also a restaurant and CCTV vision clearly shows Mr Sullivan stealing two James Willebrant paintings between courses.
During his court case Mr Sullivan’s lawyers tendered two psychiatric reports which concluded he had dissociative amnesia and his actions were totally out of character.
I’m looking forward to seeing “Portrait of Wally,” the saga of one Egon Schiele painting. Some major museums (including the MoMA in NYC) don’t sound as though they behaved very well.
. . . Penn State has nowhere to go but up. Talk about bad stuff.
Finally! I’ve gotten the pictures uploaded and mainly sorted! Danyal and I went to several museums – the best art museum was certainly the Folkwang. They have a splendid collection of 19th and 20th Century German and French painting and some good sculpture. The building is brand new (built since I was in in Essen in 2009, which was one of my main reasons for going back!). It’s by David Chipperfield – here’s the story of the competition. It’s a very serene building – the colors are very subdued, and the galleries are strung around a series of courtyards. Every courtyard is different — some are partially paved, some have trees, some have sculptures. Here are my photos (or photos of me there). Here are everyone’s. We weren’t supposed to take interior photos, but I really don’t see why we can’t photograph for architecture.
The exterior surface is made of what I think is a cast glass – irregularly smooth, but very satisfying to touch and look at.
If you want classical beauty, you won’t do much better than this bronze Dionysus in the Museo Palazzo Massimo. Click to go to my Flickr stream and you can see him full length.
I love these figures with the inlaid eyes — in his case, limestone. What we would give to see them the way the Romans saw them, polished, colored, and in a better setting than a cold museum! While I was on the road I re-read Steven Saylor’s Catilina’s Riddle (on Kindle). At the end of that book, Gordianus the Finder trades a farm he inherited from a rich friend for the friend’s house on the Palatine; in the peristyle of the house is a statue of Minerva which must have been along the same lines as this, which seeing this Dionysus brought home.
This particular Dionysus was discovered along the Tiber during the construction of the Ponte Garibaldi in the mid-1880s, just upstream from Tiber Island. He’s of the Hadrianic era (c. 125).